Saturday, December 31, 2016

Isaac Newton masterwork becomes most expensive science book sold

First edition of Principia Mathematica, which was published in 1687 and sets out Newton’s laws of motion, raises £3m at auction

A first edition of Sir Isaac Newton’s Principia Mathematica has become the most expensive printed scientific book ever sold at auction after a winning bid of $3.7m (£3m), the auction house Christie’s has announced.

The edition of Newton’s 1687 work, described by Albert Einstein as “perhaps the greatest intellectual stride that it has ever been granted to any man to make”, went for nearly two and a half times its highest estimate.

It was one of the lots in Wednesday night’s sale of fine books and manuscripts auctioned at Christie’s New York office which raised a total of £7.5m.

The continental edition, which was intended to be distributed on the European mainland by Samuel Smith, bears some differences from the British edition. Only about 80 such first editions were thought to have been published, with about 400 in total produced.

Edmund Halley, the astronomer after whom the comet was named, edited the work, having encouraged Newton to produce a single text setting out his ideas. Halley paid for the printing because the Royal Society had run out of funds.

The society retains two copies of the book, including the original manuscript on which the first print run in 1687 was based, which is described as its “greatest treasure”.

Among other ideas, the work sets out Newton’s laws of motion and his law of universal gravitation. The work is a “benchmark in human thought”, Keith Moore, the head of the Royal Society library, has previously said.

“It’s not just the history and development of science; it’s one of the greatest books ever published. It was hugely influential in terms of applying mathematics to basic physical problems.”

He linked the popularity of scientific texts with the number of people who have made their money from technology advancements. “People who have big books these days maybe are the kinds of people who have made their money on the internet or the web ... If you have a few million quid to spend, why wouldn’t you buy a copy of Principia Mathematica?

“If you’ve made your money from a really cool algorithm, you will probably appreciate Newtonian physics.”

According to Christie’s, other sale highlights included nine lots of correspondence to the Marquis de Chastellux, featuring six letters by George Washington and three by Thomas Jefferson. They sold for a total of £900,000.

A case of identity: Cumberbatch and Sherlock Holmes author are cousins

Ancestry sleuths find Arthur Conan Doyle and the Sherlock actor are 16th cousins, twice removed – both descended from John of Gaunt, who died in 1399

Researchers have discovered that Benedict Cumberbatch is distantly related to Sir Arthur Conan Doyle, the author who created Sherlock Holmes, a role the actor has recently made his own.

According to the website Ancestry.com, Cumberbatch, 40, and Conan Doyle, who died in 1930, were 16th cousins, twice removed. Their common ancestor was John of Gaunt, duke of Lancaster, fourth son of King Edward III and father of Henry IV.

John of Gaunt, who died in 1399, was Doyle’s 15th-great-grandfather and Cumberbatch’s 17th-great-grandfather, the website said.

Sherlock returns to screens on Sunday night, for three new episodes broadcast in the UK by the BBC and by PBS in the US.

With Cumberbatch and co-star Martin Freeman having achieved Hollywood stardom – Cumberbatch in Marvel’s Doctor Strange and other films, Freeman in the Hobbit trilogy – the new episodes could be their last together onscreen as Sherlock Holmes and Dr Watson.

Mark Gatiss, co-creator of Sherlock with Steven Moffat, told a gathering of journalists and fans this week: “We would love to do more, but we are not lying, we absolutely don’t know.

“It’s up to all kinds of factors, scheduling. Willingness to do it is all all here, but we are just not sure.”

Speaking to the Daily Mail on Saturday, Cumberbatch said: “This new series goes to a place where it will be hard to follow on immediately.

“We never say never on the show, but in the immediate future we all have things we want to crack on with, and we’ve made something very complete as it is. So I think we’ll just have to wait and see.”

Ancestry.com was not asked to research the backgrounds of Cumberbatch and Doyle, said a spokesman who added that its researchers love both the series and historical puzzles. The company has not told the actor of the connection.

“Making family history connections is similar to piecing together a mysterious puzzle, one that the great Sherlock Holmes himself would be intrigued to solve,” said Lisa Elzey, a family historian with the website.

Holmes and Watson first appeared in A Study in Scarlet, published in 1887. The last Holmes short stories were published in 1927.

In its report of Conan Doyle’s death three years later, the Guardian wrote: “The fact that Sir Arthur Conan Doyle was at one time a politician and latterly a spiritualist will count for nothing compared with his fame as a writer of detective fiction. For detective fiction has flourished exceedingly, and he is its father.”

He was also a medical doctor and first-class cricketer.

HMRC changes decision over VAT for adult colouring books

The popular colouring books will now remain VAT-free unless they are specifically marketed towards adults

HMRC has announced that it will not impose VAT on most colouring and dot-to-dot books for adults – reversing its plans from earlier this year which were greeted with dismay by fans and publishers alike.

Colouring books aimed at adults have been a publishing hit in the last three years, with titles such as Johanna Basford’s Secret Garden topping the Amazon bestseller lists. The intricate patterns and designs featured in many of the titles are credited with soothing anxiety in people who are stressed.

In 2015, at the peak of the trend, almost 4m colouring books were sold, generating sales of over £24m. Publishers seized on the popularity, releasing more than a thousand titles, according to market research company Nielsen.

But the success of the genre attracted the attention of the tax authorities. Earlier this year, the Bookseller reported that several publishers received letters from HMRC saying they owed VAT of 20% on adult colouring and dot-to-dot books.

Books are usually exempt from VAT, but this rule only extends to books that are designed to be “read or looked at” – so this excludes books such as diaries and notebooks, for example.

“While the adult colouring and dot-to-dot books satisfy most of the conditions, they are not designed to be read or looked at. In fact, they are designed to be completed,” HMRC argued in a policy note clarifying its stance on colouring books this week.

But the government has backed down on its plans to charge VAT on most of the books, deciding they can be classed as children’s colouring or painting books – as long as they are not marketed specifically towards adults.

“After discussions with publishing representatives we have agreed that colouring books that are not marketed towards or contain material for adults will, like children’s colouring books, be free of VAT,” an HMRC spokesman told the Guardian. The decision takes effect from April 2017, although HMRC has said it won’t pursue VAT claims for books sold before then.

HMRC could not provide an estimate for how much income the tax department would miss out on because of the decision.

However, titles marketed to adults will now face VAT. One such example, Shit Happens! Swear Words and Mantras to Colour Your Stress Away, by James Alexander, is currently the bestselling colouring book on Amazon.

The Publishers Association chief executive, Stephen Lotinga, said the decision was a “very positive outcome” for publishers and would mean most colouring books remained VAT-free: “We have been discussing the issue of VAT on colouring books with HMRC for some time and welcome the constructive manner in which that consultation was undertaken, which led to the guidance published today.”

Laurence King, managing director of Laurence King Publishing, which publishes illustration books including Secret Garden, said: “We are delighted that HMRC has provided clarity on the VAT status of colouring and activity books and welcome the positive solution that HMRC have put forward. We are very grateful to the PA for their role in bringing this result about.”

However, the craze for colouring books appears to be cooling: in 2016 up to November, sales fell to just under 2m copies, generating £11m, Nielsen data shows.

Frances Luery, a publishing industry analyst at IBISWorld, said HMRC’s decision could be the “beginning of the end” for the sector.

“I think the effects of this decision on the colouring book industry could be interesting,” Luery wrote in an email to the Guardian. “The surge in colouring and dot-to-dot book sales in the last few years has been built on the concept of colouring as a form of alternative therapy for adults rather than fun for children.”

Luery added: “If publishers can no longer refer to colouring books as ‘adult’ they will need to completely rethink their marketing strategy for the genre.

“While no doubt publishers will be relieved that they don’t have to repay £4m in unpaid tax, this might still be the beginning of the end of the adult colouring book craze.”

Nassim Nicholas Taleb hits out at Chinese printers’ censorship of his book Nassim Nicholas Taleb hits out at Chinese printers’ censorship of his book

Author protests after proofs of Antifragile returned with marks indicating that Taiwan should be referred to as part of China Author protests after proofs of Antifragile returned with marks indicating that Taiwan should be referred to as part of China

The writer Nassim Nicholas Taleb has blasted Chinese printers with accusations of censorship, after the manuscript for a US edition of his 2012 book Antifragile was returned with the instruction to replace mentions of Taiwan with “China, Taiwan”.

The Lebanese-American author of bestseller The Black Swan, which predicted the 2008 global economic crash, posted on Twitter: “Printer of ‪#Antifragile in China asked me to replace ‘Taiwan’ w/‘China, Taiwan’. I (angrily) said ‘No censorship!’”

Taleb claimed he was not alone in being pressurised. “Most authors, I was told, complied. I assume hundreds kept their mouth shut. Not me,” he added.

Alongside his tweet was a pictureof the proof with “China,” inserted before the east Asian state’s name. China regards Taiwan as a breakaway province and contests its independence. For the past 40 years, the US government has not officially recognised the Taiwanese government and cut diplomatic ties at the highest level – a policy known as the One China policy.

Temperatures were raised between the US and China last week when it emerged that president-elect Donald Trump had taken a call from the Taiwanese leader Tsai Ing-wen in breach of the diplomatic policy. Trump caused further uproar by suggesting that the US may drop the One China policy.

Labelling the attempt at censorship an outrage, Taleb said he had been accused of stubbornness for rejecting the instruction: “I have always been intransigent … intransigence is something I value.” He said Random House agreed with him and they have since changed printers.

Antifragile was first published in the UK and US in 2012. The Chinese printer wanted to change a passage about economic developments in Taiwan in the 2016 reprint of the paperback edition.

Taleb, a former bank trader, writes about probability and chance, and is known for his work on how different systems handle disorder. Antifragile examines how volatility, turmoil and disorder can benefit individuals and society rather than undermining them.

Reaction to his Twitter outburst has been largely positive. Frederik Fâillman tweeted: “Absurd. But considering the amount of Western books printed in ‪#China there must be many more similar examples?” Another follower tweeted: “The behavior of the Communist Party of China is rather ugly.”

The author was unavailable for comment at the time of writing.

  • This article was amended on 14 December, to correct an error in the standfirst and make clear the edition edited by printers was a 2016 reprint of the 2012 title.

Friday, December 30, 2016

Democracy sausage: it's Australia's word of 2016, says national dictionary centre Democracy sausage: it's Australia's word of 2016, says national dictionary centre

The barbecued snag, bought at a polling booth on election day, beat ‘smashed avo’ and ‘census fail’ to define the year The barbecued snag, bought at a polling booth on election day, beat ‘smashed avo’ and ‘census fail’ to define the year

Oxford gave us “post-truth”; Merriam-Webster’s is set to be “fascism”; in Australia, the word of 2016 is “democracy sausage”.

The barbecued snag, bought at a polling booth sausage sizzle on election day, beat out “smashed avo” and “census fail” to define the year, following a mammoth eight-week election campaign.

On any day but election day, the barbecued sausage served in a single slice of bread is known by different terms across Australia, including “sausage in bread” in Victoria.

On 2 July, however, #democracysausage trended on social media.

Several websites were set up to map where voters could cast their votes and enjoy an election-day snag.

A shot of the Labor leader, Bill Shorten, demonstrating his bite-from-the-middle technique (“Tastes like democracy”, he said) was one of the defining images from the ballot box.

The word – rather, words – were chosen by the Australian National Dictionary Centre, based at the Australian National University in Canberra.

Amanda Laugesen, the director of the centre, said “democracy sausage” had first been recorded in 2012 but had risen to prominence in 2016.

“There certainly seem to be plenty of terms – sausage sizzle itself is an Australianism, snag is an Australianism.

“We seem to be quite fond of our sausages here in Australia.”

Suggestions for word of the year are informed by research by the centre’s editorial staff, as well as suggestions from the public; the shortlist is then put to a vote of a team of editors.

“Census fail”, recognising the spectacular failure of the Australian Bureau of Statistics’ website on census night, and “smashed avo”, a popular cafe breakfast that the demographer, Bernard Salt, said young people were prioritising over home ownership were on the shortlist.

Another contender was “shoey”, defined as “the act of drinking an alcoholic beverage out of a shoe, especially to celebrate a sporting victory”, as demonstrated by Australian Formula One racing driver Daniel Ricciardo and the men dubbed the “budgie nine” celebrating his win in the Malaysian Grand Prix.

Turbulence overseas was also reflected in the shortlist with “deplorables”, as used by the Democratic presidential candidate, Hillary Clinton, to describe people considered extremely conservative or reactionary.

“Ausexit” – the potential cutting of ties with the British monarchy, or the departure of Australia from the United Nations – was born after June’s Brexit vote in the UK.

Laugesen said Brexit was “inescapable”, but the centre put greater weight on Australian English.

It publishes the Australian National Dictionary of words and phrases unique to Australia in partnership with Oxford University Press. Its first comprehensive update since 1988 was published this year, with the addition of “bogan”, “bush baptist”, “straight to the pool room”, and many other pearls.

Oxford Dictionaries declared “post-truth” its international word of the year for 2016 in November.

Merriam-Webster, meanwhile, urged readers to look up other words than “fascism” to stop it becoming its word of the year, which is determined by popularity in online search. 2015’s most looked-up word was “socialism”.

Macquarie Dictionary’s word of 2016 will be announced in early 2017. Last year’s was “captain’s call”: the decision made by a political or business leader without consultation with colleagues.

Ultra-rare Jane Austen £5 note found in Christmas card in Scottish Borders

Thought to be worth tens of thousands of pounds, second of only four notes with micro portrait of novelist is discovered

It is the fiver that could earn you tens of thousands of pounds: one of four Jane Austen £5 notes has been found in a Christmas card in the Scottish Borders.

The ultra-rare notes, engraved with a tiny portrait of the novelist, were released secretly around the UK earlier this month.

The first was found in change from a cafe in south Wales a fortnight ago. The second was discovered on Thursday in a Christmas card, meaning two are yet to be discovered.

Anyone finding one of the £5 notes has been advised to contact the Tony Huggins-Haig Gallery in Kelso which launched the project.

The gallery in the Scottish Borders said the recipient of the latest note wished to remain anonymous and that he/she had checked the note “on the off chance”.

“When somebody opened their Christmas card from a loved one, it was contained in that Christmas card,” Huggins-Haig said. “The person who put it in didn’t necessarily know what they were doing. That’s two down and there’s still two out there. Keep checking your change.”

Graham Short, a specialist micro-engraver from Birmingham, said he came up with the idea of engraving a 5mm portrait of Austen on the transparent part of the new plastic Bank of England £5 notes to mark the 200th anniversary of her death next year.

Short’s most recent work, a portrait of the Queen on a pinhead, sold for £100,000. Huggins-Haig said the engraved notes could be worth tens of thousands of pounds at auction.

“All of Graham’s work has an insurance valuation of about £50,000 at the moment. It’s a reasonable estimate,” he told the BBC.

Short spent the first note on a sausage and egg sandwich at Square cafe in Blackwood, Caerphilly, on 8 December, having chosen the south Wales town where his mother was born in 1909.

The note was discovered a week later and the lucky finder said she intended to give it to her granddaughter as an investment for when she grows up.

Each note features a different quote from Austen’s novels. Both finders said they intended to keep the notes rather than sell them, according to the Huggins-Haig.

Short said: “I don’t know whether I’m disappointed that they haven’t wanted to sell them because I wanted them to have some money for Christmas, but the fact that they are so happy to keep them, that’s nice as well.”

He admitted he was also checking his change, adding he was “terrified” of finding one. “When someone gives me a £5 note in my change now I always check, wouldn’t it be awful if it came back to me, people would say it was a fix,” Short said.

Simon & Schuster stands by Milo Yiannopoulos book despite backlash

Pre-orders push Dangerous to top of Amazon’s bestseller list as publisher asks readers to ‘withhold judgment until they have had a chance to read’ the book

Despite heavy criticism, publisher Simon & Schuster is moving forward with plans to release a 2017 book by the conservative provocateur Milo Yiannopoulos, which it says will be about free speech.

Yiannopoulos writes for Breitbart News, considered by many as a platform for the “alt-right” movement, an offshoot of conservatism that mixes racism and populism and has risen to prominence alongside the rise to the presidency of Donald Trump. Former Brietbart chief executive Steve Bannon is a close adviser to the president-elect.

Yiannopoulos’s Twitter account was suspended earlier this year after a series of racially insensitive tweets to Ghostbusters actress Leslie Jones, who is black. Yiannopoulos has denied he is a white nationalist.

The Hollywood Reporter reported on Thursday that Yiannopoulos was paid $250,000 for the book. Simon & Schuster, which is owned by New York media company CBS, said it does not discuss book advances.

The Chicago Review of Books announced on Twitter that it would not review any Simon & Schuster books next year because of the publisher’s “disgusting validation of hate”.

In an emailed statement, it said that 15 of the more than 300 books it wrote about last year were Simon & Schuster imprint books. In their place, the Chicago Review of Books said it would choose 15 books from independent and small publishers.

While many others inside and outside the publishing industry criticized Simon & Schuster publicly, the book, which is available for pre-order, soared to No 1 on Amazon.com’s bestseller list on Friday.

Simon & Schuster said it does not condone discrimination or hate speech and said the book, titled Dangerous, will be about free speech and will be published in March.

“We have always published books by a wide range of authors with greatly varying, and frequently controversial opinions,” Simon & Schuster said, asking readers to “withhold judgment until they have had a chance to read the actual contents of the book”.

Dangerous will be published by Simon & Schuster imprint Threshold Editions, which focuses on books by conservative voices, including Rush Limbaugh and President-elect Trump.

Danielle Henderson, a writer whose memoir is expected to be published by Simon & Schuster in 2018, said on Twitter: “I’m looking at my @simonschuster contract, and unfortunately there’s no clause for ‘what if we decide to publish a white nationalist’.”

A representative for Henderson did not immediately respond to a request for comment.

Asked for comment, Yiannopoulos referred to his Facebook post about the book.

Shirley Hazzard, internationally acclaimed Australian author, dies at 85

Novelist, who has died in New York, wrote The Transit of Venus and The Great Fire, and won the Miles Franklin prize and the National Book award

Shirley Hazzard, the Australian-born author whose 1980 book The Transit of Venus brought her international acclaim, has died at the age of 85.

According to a report in the New York Times, Hazzard’s death at her home in Manhattan followed a struggle with dementia. The news comes in a sad week for the Australian literary world, with the death of writer and broadcaster Anne Deveson on Monday, and her daughter, Georgia Blain, on Friday.

Hazzard’s first book, Cliffs of Fall, was a collection of stories published in 1963, when she was 32. Her first novel, The Evening of the Holiday, was published in 1966, and followed three years later by The Bay of Noon, which was shortlisted for the Lost Man Booker prize.

Ten years later she published The Transit of Venus, her breakthrough novel which tracks the lives of two orphaned Australian-born sisters, Caroline and Grace Bell, in the postwar world.

The book won the 1980 National Book Critics Circle award. In an essay looking back on it for the Book Critics Circle, Michael Gorra wrote of the placelessness that imbued the work of the transcontinental author.

“[The Transit of Venus’s] social landscape will be familiar to any reader of Lessing or Murdoch or Drabble, and yet it is not an English novel. Hazzard lacks the concern with gentility – for or against – that marks almost all English writers of her generation ... Nor is the book exactly American, despite Hazzard’s long residence in New York. She has more restraint and less bravado than her American peers and she isn’t nearly so ingratiating.”

He continued: “There’s something about Hazzard’s prose, about that eye like an awl and her willingness to reach for grandeur that reminds me of Patrick White; a sense as well of being related to but not quite a part of either Britain or America.”

In an essay for the Sydney Review of Books in 2015, the Australian author Charlotte Wood wrote that The Transit of Venus rewards revisiting: “It is as if the book itself gives off a kind of anti-magnetic field at first, holding the readers off until they are ready to face up to the questions it asks of them ... a significant aspect of her artistic motive is to set up a sense of certainty – and then destroy it, capsizing the reader over and over again.”

It was a more than two-decade gap between The Transit of Venus and Hazzard’s next novel, The Great Fire, which won the 2003 National Book award for fiction and the Australian Miles Franklin prize, and was named 2003 book of the year by the Economist.

At the National Book award ceremony that year, the novelist Stephen King had been somewhat controversially presented the lifetime achievement award, and in his speech spoke out against the literary world for largely ignoring popular US fiction. In her own speech, Hazzard hit back. “I don’t regard literature, which [Stephen King] spoke of perhaps in a slightly pejorative way, I don’t regard it as a competition. It is so vast ... I don’t think giving us a reading list of those who are most read at this moment is much of a satisfaction,” she said.

Hazzard also published five nonfiction books through her career, including two books critical of the United Nations (Defeat of an Ideal, 1973, and Countenance of Truth, 1990), a collection of essays about Italy co-written with her husband Francis Steegmuller (The Ancient Shore, 2008), a collection of the Boyer lectures she gave in 1984 (Coming of Age in Australia), and a memoir detailing her friendship with the author Graham Greene, titled Greene on Capri (2000).

In an interview with the Guardian in 2006, Hazzard spoke of the three men who changed her life in the 1960s: the New Yorker fiction editor William Maxwell, who published the first story she ever wrote; Steegmuller, a translator of Flaubert’s letters and biographer of Cocteau and Apollinaire, who she was married to from 1963 until his death in 1994; and Greene.

The two writers met by chance at a cafe in Capri in the 1960s. Hazzard was seated close enough to overhear Greene reciting The Lost Mistress by Robert Browning to a friend. Greene had stalled on the last lines, so Hazzard supplied them on her way out. They were seated together by chance at a restaurant that evening and an enduring, if turbulent, friendship began.

In the same interview, Hazzard expressed her surprise at the frequent comparisons between her work and that of Henry James. “There is this myth that I was formed on Henry James,” she said. “I had hardly read anything of him when I started to write. It must be because I take more trouble, perhaps, with words than authors usually do these days.

“James is a consummate writer, but you do feel it’s like the needle on the old gramophone, that it’s got stuck and you want to move it on. Also, I have to say, I think I’m funnier than Henry James.”

Hazzard was born in Sydney on 30 January 1931 to a Welsh father and Scottish mother who worked for the company building the Sydney Harbour Bridge, where they met. She went to Queenwood School for Girls, but left the country with her family in 1947, moving to Hong Kong, Italy and New Zealand before making a home in New York, where she pursued a career at the United Nations through the 1950s.

Joint managing director of Hazzard’s Australian publisher Hachette, Justin Ractliffe, said the company was “deeply saddened” by the news. “Shirley was a giant talent who produced a small, but perfectly formed, body of work. She continues to be beloved in Australia as well as around the world and will be missed by the many readers moved by her extraordinary writing.”

Hazzard did not remarry after the death of Steegmuller in 1994. The couple had no children.

Pensioner presents every MP with collection of refugee stories Pensioner presents every MP with collection of refugee stories

Campaigner Michaela Fryson has given 650 copies of the anthology A Country of Refuge to UK politicians in a bid to soften the hostile tone of public debate Campaigner Michaela Fryson has given 650 copies of the anthology A Country of Refuge to UK politicians in a bid to soften the hostile tone of public debate

An October excursion to a local bookshop by a pensioner and human rights activist has this week ended in MPs receiving a Christmas gift she hopes will challenge the rhetoric surrounding refugees and asylum seekers in the UK.

At the Houses of Parliament on Tuesday, Michaela Fyson from Staffordshire handed over copies – one for each MP – of A Country of Refuge, with help from the book’s editor, Lucy Popescu. The event was attended by MPs, members of the Lords, writers and refugees.

A mixture of specially commissioned fiction, memoir, poetry and essays, A Country of Refuge was created “to make a positive and vital contribution to the national debate and to foster a kinder attitude towards our fellow humans who are fleeing violence, persecution, poverty or intolerance,” Popescu said.

Fyson said she was inspired to give the gifts to MPs after buying a copy of the book in her local bookshop. She said: “The idea of influencing the tone of the debate around refugees and asylum seekers came to me when I read the introduction. I thought, I need to act on this.

“There are too many politicians referring to these groups of people as if they are animals – talking about them ‘swarming’, or needing their teeth checked like horses to see how old they are. That is what we need to change.”

Sebastian Barry, one of the contributors to the anthology, whose Fragment of a Journal, Author Unknown investigates an earlier migration by people fleeing the Irish Famine, who crossed the Atlantic in “coffin ships”, said:“If we don’t honour the redemptive fact that all modern humans belong to the same family, and that therefore the children who have been abandoned in France are our children and our urgent responsibility, then there is no justice, and no human history to be proud of.”

Mirroring the book’s route to market, Fyson crowdfunded buying the 650 copies needed. “I had to get the money together in a great rush,” the 71-year-old said. “I did it through a network of people: friends and friends of friends. Some gave a few pennies others several hundreds of pounds. Everyone was incredibly generous.”

Fyson has spent her life campaigning for refugee causes after a Hungarian refugee came to live with her family in 1956. She said that MPs would be contacted after Christmas to make sure they have read the book.

Help with her task has come from unexpected sources. “When the books were delivered they arrived in a great pantechnicon in the middle of my village,” she explained. “The driver said he had to leave the pallet with all the books on it on the pavement, but when I told him what they were for, he helped get them inside. People have been so generous and supportive.”

Popescu was inspired to curate the collection two years ago after hearing the rhetoric being used to demonise refugees and asylum seekers in the media and by politicians. Her aim was to encourage compassion and empathy, she said

Though writers asked to contribute to the collection had been supportive, publishers were less enthusiastic, Popescu said. “This was before the Syrian refugee crisis, and none of the big publishers would touch it,” she added. “My agent went to every major publisher in town and everyone said that a short-story collection about refugees wouldn’t sell.”

Crowdfunding publishing house Unbound picked up the title. A second volume, focused on the experiences of refugee children, is planned for next year, Popescu added. “We want to get it onto the school curriculum and into school libraries. I am doing a call out now to children’s authors to get them involved.”

Breitbart's Milo Yiannopoulos claims lucrative deal struck for autobiography Breitbart's Milo Yiannopoulos claims lucrative deal struck for autobiography

“Alt-right” figure says he will write for Simon & Schuster’s conservative imprint, though previous book announcements have not materialised “Alt-right” figure says he will write for Simon & Schuster’s conservative imprint, though previous book announcements have not materialised

Milo Yiannopoulos, a prominent Donald Trump supporter and member of the so-called “alt-right” movement, has reportedly been offered US$250,000 for his first book.

The book is due to be published by the Threshold Editions imprint of Simon & Schuster and would be autobiographical, reported the Hollywood Reporter on Thursday.

He has announced forthcoming books twice in the last two years: one on the Gamergate controversy, which he flagged in December 2014, and one called The Sociopaths of Silicon Valley, in January 2015.

Neither has been published.

Yiannopoulos, the technology editor at far-right website Breitbart, was banned from Twitter in July for his role in the online abuse of the Ghostbusters actor Leslie Jones. The chief executive of Breitbart, Steven Bannon, is Trump’s controversial choice for chief strategist in the White House.

Yiannopoulos told the Hollywood Reporter that negative publicity had only boosted his profile, likening it to MTV banning the video for Madonna’s Justify My Love in 1990 and coverage of Trump in the lead-up to the US election.

“They said banning me from Twitter would finish me off,” Yiannopoulos said. “Just as I predicted, the opposite has happened.”

He did not confirm the precise amount paid for his book, but claimed he was offered “a wheelbarrow full of money”.

“I met with top execs at Simon & Schuster earlier in the year and spent half an hour trying to shock them with lewd jokes and outrageous opinions. I thought they were going to have me escorted from the building – but instead they offered me a wheelbarrow full of money.”

Threshold Editions was founded in 2006 “to provide a forum for … innovative ideas of contemporary conservativism”. According to its mission statement, it is “celebrating 10 years of being right!”

Its recent bestsellers include works by the president-elect Trump, Glenn Beck, Rush Limbaugh and Dick and Liz Cheney.

The Chicago Review of Books described Yiannopoulos’ book deal as a “disgusting validation of hate” and said it would boycott books published by Simon & Schuster in 2017 in protest.

Carolyn Kellogg, the book editor of the Los Angeles Times, described Yiannopoulos as a “troll promoting racist, sexist views”.

Karolina Sutton, a literary agent at Curtis Brown representing authors including Margaret Atwood and Haruki Murakami in the UK, said publishers had to decide “where they would draw the line, what books they wouldn’t take on”.

Simon & Schuster has been contacted by the Guardian for comment.

Yiannopoulos told the Hollywood Reporter that he was “more powerful, more influential and more fabulous than ever before”, and that his upcoming book would mark “the moment Milo goes mainstream”.

He is also understood to be filming highlights of his “Dangerous Faggot” speaking tour of universities in the US for a full-length feature documentary.

A talk he was scheduled to give at his former school, Langton Grammar in Kent, in November was cancelled due to security concerns.

Thursday, December 29, 2016

Rare edition of JK Rowling's Beedle the Bard sells for £368,750

Jewelled book was Harry Potter author’s thank you gift to publisher ‘who thought an overlong novel about a boy wizard in glasses might just sell’

A handwritten and jewelled edition of JK Rowling’s The Tales of Beedle the Bard gifted to her publisher has sold for £368,750 at auction.

Rowling handwrote seven copies of her collection of fairytales set in the Harry Potter universe and gave six as presents to “those most closely connected to the Harry Potter books”. The seventh copy, made by Rowling to raise money for her charity Lumos, was sold at auction by Sotheby’s in 2007 for £1.95m.

The copy sold by Sotheby’s in London on Tuesday was made for publisher Barry Cunningham, who was working at Bloomsbury when he decided to publish the first Harry Potter book, Harry Potter and the Philosopher’s Stone. Rowling’s agent Christopher Little sent the manuscript to 12 publishers before Cunningham, who now runs children’s publisher Chicken House, read it. He later revealed he had warned Rowling that “she would never make any money from her book... not many children’s hardbacks sold in those days.”

Cunningham’s copy of The Tales of Beedle the Bard, which had a guide price of £300,000-£500,000, is a cloth-wrapped, leather-bound manuscript covered in semi-precious stones and features a silver mounted skull. A note from Rowling in the front of the edition reads: “To Barry, the man who thought an overlong novel about a boy wizard in glasses might just sell … THANK YOU.”

The book was delivered to Cunningham in an envelope in 2007. Sotheby’s said that the stones on the manuscript’s cover are rhodochrosite, which Rowling notes at the end of the volume are “traditionally associated with love, balance and joy in daily life”.

The Tales of Beedle the Bard play a crucial role in Harry Potter and the Deathly Hallows, the final novel in Rowling’s fantasy series. A copy is left to Hermione Granger by Albus Dumbledore “in the hope that she will find it entertaining and instructive”, and contains clues used by the friends in their quest to destroy the evil wizard Voldemort.

A mass market edition of the book went on sale in 2008 and, at its peak, was selling two copies a second around the world.

Last known Wordsworth descendant joins fight to stop Lake District pylons

National Grid has agreed to use underground cables within national park, but plans to put pylons 10 metres outside it

The last known descendant of the Romantic poet William Wordsworth is to join campaigners marching to “save the Lake District from pylons” on New Year’s Day.

Ninety pylons the height of Nelson’s column are planned across an estuary in the area of outstanding natural beauty where Wordsworth wandered lonely as a cloud.

Christopher Wordsworth, great-great-great-great-grandson of the poet, is fighting a £2.8bn plan to “fence in” the scenic Lake District.

National Grid wants to link the proposed nuclear plant at Moorside near Sellafield, Cumbria, to the UK power network at the Heysham power station in Morecambe.

After agreeing not to place 47-metre-high pylons all the way through the Lake District national park, the utility giant proposed a £460m plan to run cables underground.

However, that will still see pylons placed along a two-mile (3.3km) stretch in Whicham valley, just 10 metres from the boundary of the national park.

Campaigners say the line of pylons will also run right across the top of the Duddon estuary, interrupting stunning views into and out of the high fells of the Lake District, scarring a cherished landscape steeped in history.

Christopher Wordsworth said: “William Wordsworth was enthralled by the unique beauty of the Duddon, which inspired his famous series of sonnets.

“As much as the works of my ancestor are an important part of our literary heritage, his ‘long-loved Duddon’ is an important part of our natural heritage. We owe it to his memory to preserve its beauty for future generations to enjoy.”

The MP John Woodcock will also join the New Year’s Day walk with environmental campaigners carrying banners and placards highlighting opposition to the plans.

Woodcock said: “In more than six years of representing the people of Barrow and Furness, few campaigns I have been involved in have stirred as much passion as this fight to protect the beauty of our landscape from these giant pylons.

“National Grid has said it will listen to the views of local people and we need to demonstrate our strength of feeling ahead of the public consultation.

“Our campaign has received the backing of the Broughton-based CGP textbook publishing company which is placing full-page advertisements in the local and national press on a series of dates around the Christmas period and we are all looking forward to the walk.”

The landscape charity Friends of the Lake District and campaign group Power Without Pylons have joined forces to fight the plan.

They have asked National Grid to adopt an alternative solution, which would remove the need to take the power cables up the valley and around the estuary.

Friends of the Lake District is urging local people to take part in a consultation, which ends on 6 January.

Dr Kate Willshaw, policy officer at Friends of the Lake District, said: “We need as many people as possible to tell National Grid that putting pylons just metres outside of the national park’s south-western boundary will cause unacceptable damage, destroying the special qualities of the national park and interrupting people’s enjoyment of our beautiful landscape renowned throughout the world.”

National Grid claims it is proposing extensive measures to reduce the impact of the project on the landscape of Cumbria while balancing this with the need to keep energy bills affordable.

The company aims to submit an application for consent to build the new connection to the Planning Inspectorate in 2017.

A decision will then be made by the secretary of state for the Department for Business, Energy and Industrial Strategy. If consent is granted, construction work is expected to start in 2019.

Graham Barron, secretary of Power Without Pylons, said: “Protecting this important area is not just a local issue but a national issue.

“More than 40 million people visit Cumbria each year to enjoy these special landscapes. They don’t want them scarred by lumps of metal and unsightly overhead wires.

“There are feasible alternatives to pylons which we have campaigned for from the outset. If enough people state their objections to giant pylons in writing we believe the wall of opposition will force National Grid to reconsider.”

The author Bill Bryson, who has also joined the campaign, said: “Britain’s countryside doesn’t stop being glorious at the boundaries of its national parks. It is beautiful – and vulnerable – nearly everywhere, and should be respected and cherished wherever it enhances a landscape. It would be a tragedy to lose these exquisite views just for the sake of one company’s bottom line.”

Earlier this year, a wave of protests helped stop the North West Coast Connections project, which intended to install pylons through the Lake District.

National Grid confirmed that it would now put 14 miles of cables underground, running through the western side of the national park.

A National Grid spokeswoman said: “We have had to make some difficult choices about landscapes outside the national park but we believe that we can reduce the impact on them by sensitive placement of pylons and screening.”

She added: “We have had thousands of conversations with people over the six years we’ve been developing this project and Friends of the Lake District have attended many of the meetings we held to develop our proposals with local authorities and other key bodies.

“We have spoken to hundreds more people about our plans during our current consultation exercise. This continues until 6 January 2017 and we encourage people to give us their feedback as this will be vital in helping us shape the project.”

Sara Baume's 'irresistible' debut novel wins Geoffrey Faber Memorial prize

Spill Simmer Falter Wither takes award seen as a bellwether of future achievement for ‘tender and uncompromising’ debut novel

Artist and writer Sara Baume has won the 2015 Geoffrey Faber Memorial prize for fiction for her debut novel Spill Simmer Falter Wither.

The Irish writer was awarded the £1,500 award for her first novel, published by Tramp Press in Ireland and William Heinemann in the UK. The book tells the story of a troubled 57-year-old man who adopts a one-eyed dog.

Baume joins an impressive list of alumni that includes Seamus Heaney, Tony Harrison, Graham Swift and Don Paterson for the award given to a writer under 40. Winners alternate each year between poetry and fiction and last year it was shared by poets Liz Berry and Fiona Benson.

Announcing the winner, judges Justine Jordan, Kirsty Gunn and David Headley cited Baume’s “irresistible” originality. “Sara Baume brings to fiction the sensibility of a visual artist and a nature writer’s skills of observation to create a novel that is tender and uncompromising, understated and profound,” the judges said.

They added: “It looks anew at the neglected byways of human and animal nature, as well as the Irish countryside, to discover that even the tattered verges are depositories of celebration and devastation in unequal measure.”

Spill Simmer Falter Wither is divided into four sections, each reflecting a season renamed to reflect her main character Ray’s experiences. The judges praised the writer, who was born in Lancashire for taking unpromising material – an ageing, lonely man who has lived his whole life at one remove from society, and the damaged, dangerous dog he takes to his heart – and turning it into a profound novel that is “a road trip, an almanac of the seasons, a family psychodrama and a mystery story”.

Critically acclaimed on publication, the book was shortlisted for the Costa first novel award, as well as longlisted for the 2015 Guardian first book award and the 2016 Desmond Eliott prize. Baume, who has a master’s in creative writing from Trinity College Dublin, has said that she found the book hard to write. She is currently working on a second novel, which she has said will be “stranger and more autobiographical” than her debut.

The Geoffrey Faber Memorial prize is now in its 51st year. It was created in memory of the founder of publishing house Faber & Faber. Receiving the prize has often been seen as a bellwether for future literary stardom.

Wednesday, December 28, 2016

Library closures 'will double unless immediate action is taken'

A further 340 closures are likely in the next five years, says librarians’ body, without government intervention to protect funding

A further 340 public libraries could close in the next five years if the government does not act urgently to halt drastic funding cuts, the head of a leading library organisation has warned, which would equal the number of closures witnessed by the sector over the past eight years.

Nick Poole, chief executive of the Chartered Institute of Librarians and Information Professionals (Cilip) said: “We have already lost 340 libraries over the past eight years and we think that unless immediate action is taken, we stand to lose the same number over the next five years.”

Official figures revealed last week showed that UK libraries had lost £25m in their budgets in just one year. As 2017 is not an election year, Poole said, Cilip was anticipating that “local politicians will try to get library cuts through” over the next 12 months.

In the 20 library authorities Cilip is monitoring over proposed cuts, Poole said five – Swindon, Warrington, Lancashire, Edinburgh and Denbighshire – were cause for deep concern. He warned that the list of endangered libraries would grow if government does not challenge authorities over proposed cuts.

Though new libraries minister Rob Wilson has made robust promises about protecting the sector, Poole said the only way to wrestle libraries from terminal decline would be to allow councils to break the 2% ceiling for council-tax rises. Ministers are discussing the possibility of allowing councils to raise tax bills by more than 2% to plug the hole in care-service provision. At present, a rise of more than 2% must be passed by local referendum.

“We would like to see Theresa May consider libraries as a special case as well as the care sector,” Poole said. Such a move would, he believed, buy librarians time in which to make long-term savings without profoundly damaging provision: “These problems are all the result of a … programme of austerity that was rushed through. Asking people to make these sorts of savings in a year is unrealistic.”

Poole’s remarks follow news that a further three local authorities have joined Swindon in proposing significant cuts to library provision. Last week, Swindon council approved plans to close 10 of its 15 local libraries by August 2017. Under the planned closures, due to go before the council’s scrutiny committee on Monday night, Swindon will be left with only one library for every 40,000 people – less than a third of the European average of one library per 15,000 people.

“There are countries with library provision as low as that but they tend to be in wartorn areas,” Nick Poole said. “This is no way to be creating a society or economy that delivers for every person in the country.”

Wilson was reported to have had a “robust” meeting with Swindon council leaders last Monday as part of an early-intervention strategy aimed at ensuring the closures do not undermine its statutory duty to provide a sustainable library service. The minister has vowed to restore the sector and earlier this month announced a £4m innovation fund for projects to help disadvantaged communities. Swindon is among those authorities expected to bid before the 4 January deadline.

A statement from the culture ministry said: “Local authorities have a statutory duty to provide a comprehensive and efficient library service and we have powers to ensure they comply. The department is monitoring Swindon borough council’s changes to its library service, and … Rob Wilson met with the local MP and council’s library portfolio holder to discuss the council’s proposals.”

In Warrington, campaigners have vowed to fight plans to create “lockers” in place of five libraries planned for closure. Under the plan, borrowers will use lockers to collect loans. The culture ministry said it was “actively monitoring the situation”.

Among the five libraries considered for closure is the 168-year-old Warrington Central library, the first publicly funded library in the UK. Ten thousand local residents have signed an online petition to scrap the proposals.

The government is probing plans given the go-ahead in Lancashire to close 29 libraries, after local MPs lodged a complaint with the culture ministry. For ministers to intervene, the government department needs to receive a formal complaint that council provision is falling beneath that required by the 1964 Public Libraries and Museums Act.

A consultation to change the library service in Warrington has now closed, and DCMS is actively monitoring the situation.


Severe cuts are also proposed in Edinburgh and Denbighshire. The Welsh local authority is raiding the library funds in a bid to cut £10m from its budgets. This follows a raft of cuts to library services across the principality, which comes under the jurisdiction of the 1964 act.

In Scotland, which is not covered by the act, Edinburgh council has launched a review of its library service in order to save £2.8m. Under its plan, libraries will be amalgamated and buildings closed.

Library closures have already been announced in North Lanarkshire, while in September, children’s author Julia Donaldson wrote to Argyll and Bute council, to protest at the closure of school libraries in the region.

In Hong Kong's book industry, 'everybody is scared' In Hong Kong's book industry, 'everybody is scared'

Hong Kong used to be a place of relatively free speech in China, but that was before Xi Jinping’s crackdown. Now everybody from writers to booksellers, publishers and printers fear they will be next to ‘disappear’ Hong Kong used to be a place of relatively free speech in China, but that was before Xi Jinping’s crackdown. Now everybody from writers to booksellers, publishers and printers fear they will be next to ‘disappear’

Just over a year after five publishers and booksellers disappeared from Hong Kong in mysterious circumstances, the Chinese territory’s book industry has been shaken to the core.

Bookshops have closed. Publishers have left. Authors have stopped writing. Books have been pulped. Printers are refusing political works. Translators have grown weary of being associated with certain topics. Readers have stopped buying. And the whole industry is wondering if hard-hitting books on Chinese politics still have a future in the former British colony.

The booksellers involved, formerly known only to a small niche of insiders, have now become household names in Hong Kong: Gui Minhai, a Swedish citizen, remains jailed in an undisclosed location in China after he was kidnapped from his holiday home in Thailand. Lee Bo, a British national who was lifted off the streets of Hong Kong and taken to China against his will has been released and allowed to return, but has consistently refused to give a full account of what has happened to him. He remains in China. Lui Por and Cheung Chi-ping, two clerks at Causeway Bay Books, the bookshop at the centre of the case, disappeared while on a visit to Shenzhen. They are also formally free, but live across the border where they have refused to entertain calls from the press and former associates.

The booksellers were pressured into televised confessions broadcast on national TV, in which they admitted to a variety of crimes – from a hit-and-run incident to mailing to sending Chinese clients forbidden Hong Kong books without a licence. Only Lam Wing-kee has jumped bail while on a visit to Hong Kong in June to retrieve a computer database. He has since spoken out against his ordeal, which included “isolation and psychological torture”, threats and being denied access to a lawyer.

Nobody knows exactly why the authorities in China decided to crack down on Causeway Bay Books, though it is thought that the final straw is likely to have been a salacious work about China’s president Xi Jinping’s relationship with women that was about to be published.

Bao Pu, co-founder of New Century Press (a publishing house that specialises in highbrow political books), says that controls at the border with Hong Kong have been getting stricter in the past few years – “and ever more so since the establishment of the Southern Hill Project in 2010”. This refers to the code name of a campaign launched by the Chinese authorities to counter the influence of the Hong Kong publishing industry, which was seen as growing exponentially.

As more Chinese visitors had been allowed to travel to Hong Kong withoutvisas, shopping for politically revealing books forbidden in the rest of the country had become widespread. Some had been dubbed “democracy tourists” by activists who’d see them also taking part, or observing, pro-democracy demonstrations in Hong Kong.

Until the Causeway Bay case, these books were easy to buy, allowing Chinese citizens to gain a glimpse – not always truthful – of the inner workings of their opaque leaders. At the airport, in 24-hour convenience shops and in regular bookstores, political books about the Communist party, the People’s Liberation Army and individual leaders were readily available next to milk powder and traditional medicines, two of the other items particularly sought-after by Chinese tourists.

This is no longer the case. Since April, the 16 bookstores at the Hong Kong International Airport have been cut down to 10. The biggest five are now controlled by Chung Hwa Book Co, a company that was established in Shanghai in 1912 and is now under Sino United Publishing, a mainland-backed conglomerate that owns most Hong Kong bookshops – and where the “forbidden” books are mostly unavailable.

Critical, gossipy books have also disappeared from the ubiquitous 7-Eleven stores and other 24-hour mini-supermarkets. A clerk at a 7-Eleven outlet in Hollywood Road, a central street well-known to tourists for its antique shops, only says that this was a decision by the management, as the books were “still selling”. She declines to give her name, and 7-Eleven, now owned by Dairy Farm, a pan-Asian retailer part of the Jardine Matheson Group, has not replied to a written request for an interview.

Independent bookstores, on the other hand, have been deserted by their former customers, and some have had to close down. One of them is 1908 Books, a bookstore in the Tsim Sha Tsui district that stocked only political books and magazines. It shut its doors earlier this year without any public announcement. In November, Page One, a large Singapore-owned bilingual chain that occasionally carried political books in Chinese, withdrew from Hong Kong entirely.

A handful of independent bookstores do survive, but they all belong to the “second-floor bookshops” category: operating from higher floors of commercial buildings and harder to find for visitors unfamiliar with Hong Kong. One example is People’s Coffee and Books, also located in Causeway Bay, which doubles as a cafe. It is still carrying all the troublesome volumes, but owner Paul Tang says it is seeing far fewer customers than at this time last year. And in an unexpected twist, the Causeway Bay Books outlet – still closed to the public – was purchased by a Chinese national.

One aim of the Southern Hill Project is to put pressure on tour guides: “The Tourism Bureau ensures that travellers bound for Hong Kong and Taiwan receive warnings and are subject to propaganda, and tour guides are given the responsibility to remind, discourage and prevent tourists from buying publications that are deemed politically harmful to bring back to China,” says Bao.

The clampdown is not only affecting what bookstores can sell but the books that are now available to them, with fewer books being published in the first place. “The bookseller incident not only sets new boundaries but also reinforces the norm, which is to publish in journals instead of books,” says Edmund Cheng, an associate professor at Hong Kong Baptist University.

“The former’s audience is restricted to peers and students but matters a lot in academics’ livelihoods and in the ranking of universities. But in this way, academic publication’s usage in the public sphere is undermined. So authoritarian protocol and market logic work quite well together.”

It has been a slow shift away from freer days, as Cheng underlines: “The self-censorship started before the booksellers’ case: after the umbrella movement [the pro-democracy protests that began in September 2014], it was no longer easy to publish critical books written by academics,” he says. “Titles, in particular, can no longer carry certain words, like ‘social movement’. If you have those in your title, you are no longer invited to conferences, especially on the mainland.”

Timothy O’Leary, head of the school of humanities at Hong Kong University, confirms this: “The effect is more likely to be a slow undermining of willingness to publish in politically sensitive areas,” he says, as academics and writers alike shy away from potential trouble.

Even translators have become weary. Mei Fong, author of One Child: The Story Of China’s Most Radical Experiment, a book about the one-child policy and its consequences published in English this year, tried unsuccessfully to have her book distributed in Chinese.

“I wanted to reach the audience that has been most touched by the topic I analyse,” she says. But “after trying unsuccessfully to have the book published in China, I looked for a Hong Kong publisher, which is how books on ‘banned’ topics used to reach readers in the mainland. I was told that the problem with the book was not so much the sensitivities, but the difficulty in finding a distributor. Yet even before that, my translator pulled out,” she says. “So I commissioned my own translator, who asked to remain anonymous, but even then I could not find a publisher, neither in Hong Kong, because of the consequences of the five booksellers’ disappearance, nor in Taiwan, where books about China are not very popular.”

She decided to attempt a new approach, allowing the Chinese version of her book to be be downloaded for free, with the possibility of contributing a voluntary fee to cover costs. It’s not clear how long her experiment can last before the mainland censors pull the plug on her website.

“Everybody is scared,” says Renee Chiang, of New Century Press. “The printers … are not willing to print political books. And the bookshops are not willing to stock political books, because now it is considered dangerous. But since the majority of the readers of this kind of work are visitors from the mainland, now that the customs officers have increased their surveillance and confiscation of political books, they are no longer buying them. So at both ends of the chain we have problems.”

Given the climate in Hong Kong, printers do not see their refusal to print as a political decision, but purely a business one. AsiaOne, which used to print political books without worries, has ceased doing so – but nobody at the company agreed to be interviewed. Jason Chan, of printing company Sun-Design, says that “truly speaking, the booksellers’ case has a bad influence on the publishers and the booksellers still working in Hong Kong. I still believe that Hong Kong is a safe place to work, so I haven’t rejected any book’s printing yet because of political reasons. Nowadays, the volume of books printed is going down, but the impact has been [great] only on specific bookstores and publishers,” he says.

Authors, too, are feeling the pinch. Yu Jie, a mainland author of politically sensitive books, saw his contract for a new book on Xi with the publishers of Open Magazine – a monthly that tries to follow the party’s power struggles – rescinded after the chief editor, Jin Zhong, left Hong Kong under pressure from his family. The book was eventually published in Taiwan to a much smaller audience.

Meanwhile, given the prohibitive costs of keeping unsold stock, some publishers have resorted to pulping political books that had no chance of getting distributed.

According to the South China Morning Post, Hong Kong’s main English language paper, Sophie Choi – Lee Bo’s wife – ordered “45,000 books critical of the Communist party destroyed” in the hope of facilitating her husband’s release. Other publishers, too, have privately admitted to destroying political books that cannot be distributed and sold.

The damage done to the Hong Kong publishing industry is unprecedented. “Since 1949, Hong Kong had always been the place where books about China could be published. Its role was huge, way beyond the size of Hong Kong and its readership. This is why to this day scholars from China and from all over the world come to Hong Kong: to be able to see sensitive material,” says Bao. “This is now disappearing.”

Tuesday, December 27, 2016

Watership Down author Richard Adams dies aged 96

Adams’ novel first published in 1972 became one of the bestselling children’s books of all time

Richard Adams, the author of Watership Down, has died aged 96.

A statement on the book’s official website said: “Richard’s much-loved family announce with sadness that their dear father, grandfather, and great-grandfather passed away peacefully at 10pm on Christmas Eve.”

The novel, first published in 1972, became one of the bestselling children’s books of all time, selling tens of millions of copies.

Adams did not begin writing until 1966, when he was 46 and working for the civil service. While on a car trip with his daughters, he began telling them a story about a group of young rabbits escaping from their doomed warren.

In an interview with the Guardian two years ago, the author recalled: “I had been put on the spot and I started off: ‘Once there were two rabbits called Hazel and Fiver.’ And I just took it on from there.”

It was made into an animated film in 1978, and the following year the film’s theme song Bright Eyes, sung by Art Garfunkel, topped the UK charts for six weeks.

The book, which critics have credited with redefining anthropomorphic fiction with its naturalistic depiction of the rabbits’ trials and adventures, won Adams both the Carnegie medal and the Guardian children’s prize.

The statement announcing his death quoted a passage from the end of his best-known work. It read: “It seemed to Hazel that he would not be needing his body any more, so he left it lying on the edge of the ditch, but stopped for a moment to watch his rabbits and to try to get used to the extraordinary feeling that strength and speed were flowing inexhaustibly out of him into their sleek young bodies and healthy senses.

“‘You needn’t worry about them,’ said his companion. ‘They’ll be alright – and thousands like them.”’

A spokesman for Oneworld publications, which brought out a new edition of Watership Down with illustrations by Aldo Galli, said: “Very saddened to hear that Richard Adams has passed. His books will be cherished for years to come.”

The author, born on 9 May 1920 in Berkshire, also wrote Shardik, The Girl in a Swing and The Plague Dogs. The latter explores animal rights through the tale of two dogs that escape from a laboratory.

Adams enrolled at Worcester College, Oxford, in 1938. But when the second world war broke out, he enlisted in the Royal Army Service Corps, serving in Palestine, Europe and the far east.

He returned to complete his studies, gaining a degree in modern history, before finding work as a civil servant in the housing and local government ministry in 1948.

He was also president of the Royal Society for the Prevention of Cruelty to Animals from 1980–82. He was inducted into the Royal Society of Literature in 1975.

A new animated TV mini-series of Watership Down, co-produced by the BBC and Netflix, is due to air next year in four one-hour parts.

Saturday, December 24, 2016

‘Only skeletons, not people’: diaries shed new light on siege of Leningrad

Academic says contemporary accounts of suffering are very different to stories survivors now tell of triumphant resistance

The discovery of a huge number of unpublished diaries has given an extraordinary insight into one of the most notorious and brutal military sieges in history.

The siege of Leningrad by German and Finnish forces lasted 872 days, from September 1941 to 27 January 1944. Up to 2 million lives were lost, including about 800,000 civilians or 40% of the population of the city now called St Petersburg.

The diaries were collected by Alexis Peri, a history professor at Boston University, who stumbled across the personal records as she interviewed survivors, most of whom had been children during the second world war.

Peri told the Guardian: “They all gave me the same story – this heroic, triumphant battle, human resistance, collective solidarity. Then they would often start to take me into their trust and show me documents from their families. Letters initially, and then diaries.

“What fascinated me was that the diaries were so different from the stories I was getting. Even when they were from the same people. A diarist would give me the diary and then say something like: ‘I doubt there’s anything of interest in there, anything different from what we’ve already told you.’ But it was dramatically different.”

Peri unearthed more material in the city’s archives and was “blown away by how many people kept diaries”. The diaries reveal the true extent of the horrors of the time, as the civilian population struggled to survive without food, running water or fuel, and stricken by disease.

The siege became “an internal battle”, with starvation and isolation tearing into every aspect of everyday life and “every recess of the mind”, Peri said, “as opposed to the way that it’s always been presented as this clear clash of Germans versus Soviet people”.

Despair permeates the diary of Berta Zlotnikova, a teenager, who wrote: “I am becoming an animal. There is no worse feeling than when all your thoughts are on food.”

Other diarists wrote of their shock at seeing emaciated bodies of Leningraders in the local bathhouse, their bodies distorted and made physically androgynous by starvation. “Horrible, only skeletons, not people,” wrote Ivan Savinkov, a factory worker. “What will become of us?”

Aleksandra Liubovskaia was struck that men and women had become “so identical … Everyone is shrivelled, their breasts sunken in, their stomachs enormous, and instead of arms and legs just bones poke out through wrinkles.”

Describing the horror of washing her son, whose skin was covered with scurvy-induced blotches, she recalled Mary cleansing the body of her crucified son.

Peri will include the material in a book titled The War Within: Diaries from the Siege of Leningrad, to be published by Harvard University Press in January.

She said: “What comes over most of all is the way that starvation is this particularly tormenting form of dying, that not only forces the body to feed on itself and destroy itself, but wreaks havoc on the mind and destabilises all kinds of assumptions, relationships and fundamental beliefs.

“There are many scenes with a diarist confronting themselves in the mirror and being unable to recognise themselves … It’s the type of death that really creates that type of internal destabilisation, as opposed to diaries that I’ve read from battle sites – the battles of Moscow and Stalingrad, where there’s a very clear enemy and that enemy is an external one. With starvation, the enemy becomes internalised.”

When the Soviet Union collapsed, many of the diaries were stored in former Communist party archives, but Peri found they had only partially been processed. “There were many more diaries that looked like they had not been really registered.”

While Russian history books focus on the battle and the front, which was a couple of miles from the city, the diaries “hardly ever dwell on the enemy”, Peri said. “They hardly ever mention Germans or fascists. What they really focus on are the people that are organising their lives and therefore their suffering – the local officials, neighbours, relatives, because they’re the immediate threat. It’s ‘my children lost our ration cards’ or ‘my neighbours are stealing from us’. Everyday life becomes a battleground.”

She observed that the diarists “don’t narrate their lives in tones of heroism and resistance”, adding: “Collective solidarity is fine for socialist ideology, but it’s really isolation that people experience.”

At least a dozen diarists likened themselves to Robinson Crusoe. The Soviet Union had long touted Daniel Defoe’s hero as an ideal socialist, somebody who builds a society from the ground up. “When the diarists talk about Robinson Crusoe, it’s ironic because they’re not thinking of him the way Soviet ideology has asked them to think,” Peri said.

One diarist lamented that “we are living the primitive life of savages on an uninhabited island”. Another wrote: “I think Robinson Crusoe was a lucky person. He knew with certainty that he was on an uninhabited island and had to rely only on himself. But I am among people.”

Thursday, December 22, 2016

Turkish author Aslı Erdoğan's detention 'breaches convention on human rights'

The novelist’s pre-trial imprisonment on terror charges has been condemned by lawyers and academics, who say there are no grounds for this extreme measure

The imprisonment of celebrated novelist Aslı Erdoğan breaches both Turkey’s constitution and the European convention on human rights, according to prominent lawyers and human rights activists.

The 18 experts, who include judges and academics, said the pre-trial detention of the writer was an extreme measure, seemingly imposed with the intent of reducing political opposition to, and criticism of, President Recep Tayyip Erdoğan’s regime.

The writer was arrested in August and charged with membership of a terrorist organisation and “undermining national unity”, although the latter charge was dropped last month.

A columnist and member of the advisory board of pro-Kurdish opposition daily Özgür Gündem, which was shut down under the state of emergency that followed the failed coup of 15 July, her arrest came alongside that of more than 20 other journalists and employees of the paper.

Canan Arin, a leading feminist lawyer, said: “What is happening is the destruction of Aslı Erdoğan’s life for the purpose of intimidating people around her, and people like her.”

Ayşe Batumlu, a Kurdish criminal lawyer, said the decision to detain Erdoğan was disproportionate and unlawful.

“Pre-trial detention should be applied in exceptional circumstances [where] the existence of facts show strong suspicion of a crime having been committed, and a good reason for detention,” she said.

“In Asli Erdoğan’s case though, she is accused of a very serious crime but we cannot see any ‘strong’ proof showing this crime has been committed. Is being a dissident enough for these accusations? Of course not.”

The lawyer said that Erdoğan’s case did not meet the European convention of human rights’s threshold for detention as a protective measure. The convention takes precedence over Turkish law in cases where the two are in conflict.

Batumlu, who is also a lawyer for Abdullah Ocalan, leader of the outlawed Kurdistan Workers’ party (PKK), added: “Erdoğan is bravely writing about issues that burn whoever dares touch them, issues about the Kurdish question that the government banned discourse about outside of the scope it created, issues of murdered civilians, issues of the murderers who are not held accountable by the state … We are facing the reality of a writer being punished just because she is expressing views that the government and some other groups don’t like.”

The legal experts’ concerns, gathered by theatre actor and director Mehmet Atak, are shared by the award-winning Turkish author Elif Şafak, who has written a letter to Erdoğan in her Istanbul jail.

In her letter, Şafak wrote: “They have accused you of ‘such awful things’ but no one in their right mind was convinced by the charges.

“You are someone who wishes to see the restoration of harmony between Turks and Kurds. You are someone who cares about your fellow human beings. You are one of the last people on earth who can be accused of ‘inciting violence and terrorism’.

“We – a whole community of writers and readers – are waiting impatiently for the day you will walk out of those prison gates, ill-treated, yes, but undefeated.”

The writer’s case has drawn international criticism from human rights groups and the European Union, amid mounting concern over President Erdoğan’s crackdown on the media and opposition groups in recent years. The crackdown has only intensified following the failed coup in July and sweeping state-of-emergency powers granted to the government in its aftermath.

Cat Lucas, English PEN’s Writers at Risk programme manager, said: “We believe Erdoğan’s ongoing detention to be in violation of her right to freedom of expression and welcome the legal opinions confirming this and declaring that there are no legal grounds for her imprisonment. We urge the Turkish authorities to release her, and the many other writers unlawfully detained in the wake of the coup, immediately and unconditionally.”

PEN International said that Erdoğan was being held solely for peacefully exercising her right to freedom of expression and called for her immediate release. Campaigns manager Sahar Halaimzai added: “The continued imprisonment of Aslı Erdoğan is a shocking indictment of the repression of the Turkish government, who continue to wage a relentless crackdown on critics and dissenting voices.”

The first hearing on her case is expected to be held on 29 December. Trials such as these are often lengthy.

JK Rowling reveals she's working on two new novels

The Harry Potter author revealed to fans on Twitter that she has two books in the pipeline, one under her own name and one as Robert Galbraith

JK Rowling has delivered an early Christmas present to fans, announcing on social media that she is at work on two novels. Asked on Twitter if there would be a new novel soon, the Harry Potter author replied on Wednesday night: “I’m working on it (literally).”

Though she gave no details about the books, she did confirm that one would be under her own name and another in the Robert Galbraith detective series. She wrote: “One of each, but I’m not sure which will come out first. I’ll let you know as soon as I do!”

The author has undoubtedly had a busy 2016, with the release of the box office smash Fantastic Beasts and Where to Find Them and the opening of the West End play Harry Potter and the Cursed Child. But she has not published a novel since October 2015, when the third instalment in the Cormoran Strike series was released under the Galbraith pen name.

Though her Twitter fans responded with a frenzy of questions, Rowling confirmed only that she will not be writing any novels featuring Newt Scamander, the hero of Fantastic Beasts played by Eddie Redmayne: “No, no, no. There won’t be Newt Scamander novels. Only movies. Calm down, there!”

Speculation was rife that the new Rowling novel would feature Harry Potter. Despite promising in 2007 that Harry Potter and the Deathly Hallows would be the final book featuring the boy wizard, the Edinburgh-based author appears to have found it hard to leave Harry alone. In 2015, she described the two-part Cursed Child play as “the eighth Harry Potter”. Harry’s son Albus is the focus of the play, tickets for which sold out in hours when they went on sale.

Despite remaining tight-lipped about the contents of the two novels in progress, Rowling did tantalise fans with details of when and how she writes. Upbraided by one fan for spending time on Twitter when she should be writing, she responded that she was having a break: “I’ve been writing since 5.55am!”

When asked by a follower who “couldn’t even dress” at that time how she wrote so early in the morning, she responded: “Wake up, drag the laptop into bed and get to work. There’s really no need for formal attire.”

Readers are likely to remain guessing for some time about when the new books will appear. A spokesman for the author said: “Currently there is no detail on content or publication dates for future books.”

Wednesday, December 21, 2016

Bob Dylan Nobel prize speech: this is 'truly beyond words'

Songwriter sends a speech and Patti Smith to the Nobel awards dinner in Sweden rather than attending in person

Bob Dylan admitted he was stunned and surprised when he was told he had won a Nobel prize because he had never stopped to consider whether his songs were literature.

Dylan, whose speech was read out by the US ambassador to Sweden at the annual awards dinner, said the prize was “something I never could have imagined or seen coming”.

He said from an early age he had read and absorbed the works of past winners and giants of literature such as Kipling, Shaw, Thomas Mann, Pearl Buck, Albert Camus and Hemingway. But said it was “truly beyond words” that he was joining those names on the winners list. “If someone had ever told me that I had the slightest chance of winning the Nobel prize, I would have to think that I’d have about the same odds as standing on the moon,” he wrote.

The announcement that Dylan had won the literature prize caused controversy with critics arguing his lyrics were not literature. On learning he had been awarded the literature prize Dylan said he thought of Shakespeare. “When he was writing Hamlet, I’m sure he was thinking about a lot of different things: ‘Who’re the right actors for these roles? How should this be staged? Do I really want to set this in Denmark?’

“His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. ‘Is the financing in place? Are there enough good seats for my patrons? Where am I going to get a human skull?’ I would bet that the farthest thing from Shakespeare’s mind was the question: ‘Is this literature?’

“Like Shakespeare, I too am often occupied with the pursuit of my creative endeavours and dealing with all aspects of life’s mundane matters. ‘Who are the best musicians for these songs? Am I recording in the right studio? Is this song in the right key?’ Some things never change, even in 400 years. Not once have I ever had the time to ask myself ‘are my songs literature?’ So, I do thank the Swedish academy, both for taking the time to consider that very question and ultimately, for providing such a wonderful answer.”

Earlier during the awards ceremony a nervous Patti Smith stumbled through Bob Dylan’s A Hard Rain’s A-Gonna Fall in a performance given to mark the handing over of the absent Dylan’s Nobel prize for literature.

Formally presenting the award Horace Engdahl, a Swedish literary critic and member of the Swedish academy behind the prize, responded to international criticism of the choice of a popular lyricist as recipient. In defence of the decision, Engdahl said that when Dylan’s songs were heard first in the 1960s: “All of a sudden, much of the bookish poetry in our world felt anaemic.”

The academy’s choice of Dylan, Engdahl added, speaking in Swedish, “seemed daring only beforehand and already seems obvious”.

And it was an unconventional prize-giving night in more ways than one. Dylan’s failure to attend the august gathering in Stockholm meant that Smith, the American singer famous for her 1975 album Horses and the hit song Because the Night, was attending as his proxy. The occasion proved too much for the singer, 69, who faltered after a few verses.

Forgetting the lyric “I saw a black branch with blood that kept drippin’,” she apologised quietly but profusely to the jewel-bedecked audience and asked if she could start that section of the song again. “I am so nervous,” she explained. Smith was encouraged by applause from the gathered dignitaries and members of the Swedish royal family.

Her performance followed Engdahl’s justificatory speech, which opened with the question: “What brings about the great shifts in the world of literature? Often it is when someone seizes upon a simple, overlooked form, discounted as art in the high sense, and makes it mutate.”

In this way, Engdahl argued, the novel had once emerged from anecdote and letters, while drama had eventually derived from games and performance. “In the distant past, all poetry was sung or tunefully recited,” he said. Dylan had dedicated himself to music played for ordinary people and tried to copy it.

“But when he started to write songs, they came out differently,” Engdahl said. “He panned poetry gold, whether on purpose or by accident is irrelevant … He gave back to poetry its elevated style, lost since the romantics.”

Tuesday, December 20, 2016

Clean room, no beetles wanted: how a young Kafka hoped to write budget travel guides

Before writing his best-known works, Franz Kafka hoped to make millions with a series of ‘on the cheap’ guides to European travel

Years before penning Metamorphosis, considered by some to be the greatest short story ever written, Franz Kafka hoped to make his fortune writing a series of budget European travel guides.

Kafka conceived a business plan for the books, dubbed “on the cheap”, while travelling across the continent with his friend Max Brod in the summer of 1911. This detail was revealed in volume three of Reiner Stach’s biography, Kafka: The Early Years, published in translation (by Shelley Frisch) last month.

The ahead-of-its-time idea (considering the popularity of budget travel tips today) sought to take on the traditional Baedeker travel guides, which then consisted primarily of hotel and restaurant listings, but lacked the insider knowledge Kafka felt was truly valuable to a traveller.

Questions that his guides proposed to address are ones that tourists still seek answers for now. On which days do museums have reduced fees? Are there any free concerts? Should you travel by taxi or tram? How much should you tip? There was also a suggestion to include advice on where to find erotic and sexual entertainment for a fair price.

Stach writes: “Kafka and Brod were convinced that a travel guide that answered all these questions candidly and supplied a select few reasonable and reliable recommendations would instantly beat out the competition … With a series of this kind, they could earn millions, especially if it was published in several languages.”

Inspiration struck during a tour of Switzerland, the lakes and cities of northern Italy and the Adriatic, during which their relative naivety when it came to travel was exposed. As Stach puts it: “They knew quite a bit, but often not what they needed to know.”

For example, after discovering that Zurich’s city library was closed on Sundays, the pair believed they could still gain entry by asking at the tourist office.

Meanwhile, a swimming trip to Lake Zurich to go swimming meant Kafka having to uncomfortably undress in a public changing area, while Brod got “attacked with a hose” by the pool attendant and a group of boys.

Despite this, Kafka retained a relative loftiness, looking down on traditional souvenir-collecting tourists. He “poked fun at amateur photographers”, a hobby he felt could never compare with writing as a means of documenting a trip, which raises the question: what would Kafka have thought about selfie sticks and Instagram?

But perhaps it was the pair’s own arrogance that explains why the book series never came to fruition. Despite writing a five-page business plan, as well as extending the idea for each book in the series to include a “conversation guide”, the pair were so afraid that their idea would be stolen that they wouldn’t reveal the full details of their pitch to a publisher without first securing an advance.

This, writes Stach “effectively sealed the fate of their ambitious plan, and the millions in earnings returned to the realm of the imaginary”.

Wonder Woman writer and artist dropped by DC over 'challenging relationship'

Comics giant says that the company was concerned by criticism by husband-and-wife team Ray Dillon and Renae De Liz of other creatives

The critically acclaimed, Eisner-nominated comic series The Legend of Wonder Woman has been cancelled by DC Comics, because of what a spokesperson for DC called “a challenging relationship” with the husband and wife team behind the series.

Artist Ray Dillon and writer Renae De Liz had created nine issues of The Legend of Wonder Woman, telling the story of the Amazonian from her origins on the planet Themyscira to arriving on Earth to become a superhero. A digital-first series, a collected edition was released in hardback on 13 December.

DC had previously announced that the series would continue with a second part to come out in 2017. De Liz told Nerdist.com as recently as last week that more work was coming, saying it would be about a Wonder Woman who “still struggles with trying to find her place beyond the hero in her new world”.

Since the cancellation was announced, fans have been wondering whether it was due to poor sales, or studio sexism towards Wonder Woman. However, the DC spokesperson told the Guardian that though “we loved the book and we were very excited to work on the collected volume”, the studio was concerned about Dillon’s public comments about other teams at DC on social media.

In a series of now-deleted tweets, preserved online on Bleeding Cool, Dillon criticised the writing in another DC series, Wonder Woman: Earth One, and complained when DC approved future volumes of Earth One while he was waiting to hear about the future of his own series.

On hearing the news that Kevin Grevioux had been confirmed to write a series about the Amazonians, titled The Odyssey of the Amazons, Dillon alleged that he and De Liz had already pitched a similar idea to DC but had never heard back about it. De Liz also complained, tweeting that while she was happy the series would happen, she “felt I could have added a lot as a female creator”.

“It is an unfortunate situation. We tried hard to make it work,” the DC spokesperson said.

Dillon said: “I wish no negativity on anyone, and support DC and the people who work there 100%. I’m just looking forward to getting through the hurdle of sudden loss of finances during a crucial time and moving forward to an exciting, productive new year.” He said that he and De Liz were now focusing on their creation, the superhero Lady Powerpunch.

When the cancellation was announced on Thursday, De Liz took to Twitter to say she was “surprised and devastated” the series had been cancelled. She also revealed that she is pregnant with her fourth child, tweeting that the announcement had fallen at a difficult time of year, just before Christmas.

After being encouraged by fans on Twitter, De Liz set up a GoFundMe page to accept donations for her family. It has already raised more than $5,000 (£4,000) at time of writing, exceeding its initial $2,000 goal in less than 24 hours. More than 400 fans have signed a petition on Change.org, demanding that DC reinstate the series.

In an update, De Liz thanked supporters and said the money would not only help her family at Christmas, but also gave her and Dillon more creative freedom. “No matter what we do, I’ll always be pushing for creating adventures for all ages that are uplifting, fun, and full of examples of diverse, strong characters, especially for young girls to look up to, and show them that they too are capable of doing anything,” she wrote.

DC has historically been sensitive to public criticism from their creators. In 2009, Justice League of America writer Dwayne McDuffie was fired after making comments on a DC Comics discussion board about his frustrations with the project, while Fairest writer Chris Roberson was told specifically that he had lost his role on the DC title for “one tweet which questioned the ethics of the company”.

It has not been a good week for the comic-book character, who turned 75 this year: Wonder Woman also lost her job as the UN ambassador for empowering girls and women after less than two months. More than 45,000 people signed a petition criticising the appointment, saying: “It is alarming that the United Nations would consider using a character with an overtly sexualised image at a time when the headline news in United States and the world is the objectification of women and girls.”

Ahmed Naji to be freed from jail, but will face court again in January

The Egyptian novelist convicted of ‘violating public modesty’ has had his sentence suspended, pending another hearing next month

Egyptian author Ahmed Naji is to be released from prison, after Egypt’s highest appeals court suspended his two-year sentence for “violating public modesty” with his novel The Use of Life.

Naji was charged in 2015 after an excerpt of the book was published in the state-owned magazine Akhbar al-Adab. The passage contained references to sex and drug use, and a complainant alleged that reading the passage gave them “heart palpitations, sickness, and a drop in blood pressure”.

Naji was initially acquitted, but in February was sentenced to two years in prison and fined almost £1,000 in a higher court after the prosecutor appealed. The magazine editor was fined the equivalent of £430 for running the extract.

The writer’s sentence was temporarily suspended by the court of cassation, the highest appeals court in Egypt, on Sunday night. While it was predicted that Naji would be released on Monday, PEN International told the Guardian there had been a delay, due to a complication over paperwork. His lawyer Mahmoud Osman tweeted that he was hoping Naji would be out some time on Tuesday.

“This is overdue but excellent news,” said Suzanne Nossel, executive director of freedom of speech group PEN America. “The spectacle of Ahmed Naji being jailed for a chapter of a novel was among the most egregious affronts to creative freedom in Egypt.”

Naji faces another hearing on 1 January, when the court will either decide to order another trial or send him back to prison.

This is the third attempt to overturn Naji’s sentence. In the nine months he has spent in prison, Naji’s case has become a cause célèbre, with 120 writers and authors, including Woody Allen, Patti Smith and Dave Eggers, signing a PEN America open letter calling for his release.

While Naji was prosecuted under a statute in the Egyptian penal code that criminalises art or printed works judged to be “against public morals”, many are sceptical that his imprisonment was for his writing. Naji was a vocal critic of the Egyptian government and at the time of his imprisonment more than 600 Egyptian authors signed a statement supporting Naji while voicing their alarm at the crackdown on freedom of expression. In May, on the day a global reading of his work was held in cities around the world, Egyptian writer Ahdaf Soueif wrote in the Guardian that “Naji’s crime is not so much what he has written; it is more that he is alive”.